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Being embossed rather than incised, and the material being glass, it is obviously molded in rather than stamped. The following are general representations of the various backstamps, which may not look exactly the same on all shapes. Promotional patterns may have been available for as little as a holiday season or a year, standard patterns from two years to as long as a decade in a few instances.The early clear glass Pyrex ware backstamp was a simple circle with PYREX in an all-caps serif font with Corning Glassworks' CG monogram above and below. The backstamp on the earliest color ware included the word PYREX with the abbreviation T. Other Considerations The earliest colored nesting mixing bowls have a deep base ring, the bases on later ones being almost flat by comparison. Starting in the mid-1970s, equivalent metric capacities were also embossed on pieces, therefore any seen so-marked can be dated positively later than that.The older mixing bowls also have a thicker, more pronounced rim, but with no appreciable difference in capacity from later examples. Variations in the red 2-1/2 quart mixing bowls encountered are owed to their differing heritages.There are thousands of active singles on Date looking to chat right now.Free Corning chat, latest topics discussed: Review and Review We have all type of personals, Christian singles, Catholic, Jewish singles, Atheists, Republicans, Democrats, pet lovers, cute Corning women, handsome Corning men, single parents, gay men, and lesbians.

While technically a trademark, it is most often seen referred to as a backstamp. The configuration of the backstamp would undergo a few revisions after the introduction of opal glass kitchenware in 1945. A listing of patterns by year of introduction can be found .

The Corning Museum of Glass is a museum in Corning, New York dedicated to the art, history and science of glass.

It was founded in 1951 by Corning Glass Works and currently has a collection of more than 45,000 glass objects, some over 3,500 years old.

By the early 1990s, the Corning Museum of Glass was once more overflowing its exhibition space, and increasing visitation put a strain on guest facilities.

In 1996, the Museum embarked upon the first phase of a planned five-year, million transformation. David Whitehouse, the first element to be added was The Studio.

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